Book of the Year

North Coast Journal Article about current Klamath River Conditions

Relevant cover story from the North Coast Journal published on September 24, 2015:

Murky Waters: The cause and effect of the Yurok Tribe's withdrawal from the Klamath Agreements remain unclear

by Thadeus Greenson

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Theresa May and Gordon Bettles Video

Video of: Gordon Bettles, steward of the UO's Many Nations Longhouse and member of the Klamath tribe, appears with Theresa May, Theatre Arts and codeveloper of the play "Salmon is Everything." They talk about the importance of salmon to Native culture and the devastating fish kill on the Klamath River in 2002. The play, staged by the UO'sUniversity Theatre May 20-June 4, addresses the cultural and spiritual dimensions of Klamath River water rights.


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Review of "Salmon is Everything"

“Salmon is Everything is an excellent text for many areas of the American Indian studies curriculum. It presents an amazing story and has helped renew and strengthen my faith in the value and importance of theatre as a cultural resource for American Indian people. The centerpiece, the play Salmon is Everything, is ceremonial performance in its most creatively realized and purposeful form.”

—Hanay Geiogamah, Kiowa Tribe Playwright and Professor of Theater, University of California at Los Angeles

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2015/2016 Book of the Year: Salmon is Everything

Salmon Is Everything:Community-Based Theatre in the Klamath Watershed

By: Theresa May with Suzanne Burcell, Kathleen McCovey, and Jean O'Hara. Foreword by Gordon Bettles.

"After a devastating fish kill on the Klamath River, tribal members and theatre artist Theresa May developed a play to give voice to the central spiritual and cultural role of salmon in tribal life. Salmon Is Everything presents the script of that play, along with essays by artists and collaborators that illuminate the process of creating and performing theatre on Native and environmental issues.

Salmon Is Everything simultaneously illuminates the logistics of a crisis in the third largest watershed in the Pacific Northwest—the premature death of more than 30,000 salmon on the Lower Klamath River in 2002—and documents what happened when one community decided to use art to amplify the experiences of its members. The fish kill had unprecedented impact throughout the watershed, and for many tribal communities it signified an ongoing loss of traditional cultural practices. But in the political and ecological upheaval that followed, the role of salmon in tribal life went largely unacknowledged, which inspired the collaboration between May and members of the Yurok, Hoopa Valley, and Karuk tribes, as well as farmers, ranchers, and others invested in the Klamath watershed.

Salmon is Everything will appeal to readers interested in the environmental and cultural history of the Pacific Northwest and the ecological and civil challenges its communities face. For artists and activists, it’s a useful case study. Salmon is Everything offers a unique interdisciplinary resource for high school and college level courses in environmental studies, Native American studies, and theatre arts education."

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